Tag: VST

Love, love is a verb
Love is a doing word
Fearless on my breath
Gentle impulsion
Shakes me, makes me lighter
Fearless on my breath …

Under the the impression of performing of Teardrop composition of Massive Attack collective on electric keys on Gastronom-Fest ( RU ), I wished to create its variation in DAW REAPER with use of program VST instruments and effects. For this I downloaded from Internet 2 MIDI files with melody notes, combined them, slightly edited and chose the best sounding together instruments. Then with use of reverberation added volume and expression to main instruments and with compression adjusted dynamic range of additional instruments, so that their volume variations would not highlight them too much. Then tracks volume balancing, addition of volume automation for main instruments : they are switched on and off smoothly, this way it has more dynamics and saturation.

… Teardrop on the fire
Fearless on my breath

Night, night after day
Black flowers blossom
Fearless on my breath
Black flowers blossom
Fearless on my breath …

Main instruments in composition are sampler VST synthesizers ESI Piano and DSK Overture with instrument Harpsichord, additional ones are ESI Piano and DSK World Strings with instrument Celtic Harp. + Small changes of sound synthesis parameters, such as built-in effects, filters and other parameters. For drums sounds I used drum-machine DSK DrumZ – MachineZ, which allows to synthesize sounds the same way, as hardware drums synthesizers do, there are 18 of them presented in program ( among them, for example, there are : Roland TR 808, Acetone Rhythm Ace, Akai XR10, Alessis HR 16, Boss DR55, Korg DD1, Yamaha RX 11 and others ), there is also ability to change their different parameters, creating needed sound. DSK also has sampled drums synthesizers, which allow to generate sounds on base of recorded samples, but with fully electronic generators it is easier to work and create needed sound. You can download project files for DAW REAPER via this link : Variation on Teardrop – Massive Attack theme in DAW REAPER. Onwards I’ll work on creation of next composition, Stay Tuned!

… Teardrop on the fire
Fearless on my…

Water is my eye
Most faithful mirror
Fearless on my breath
Teardrop on the fire
Of a confession
Fearless on my breath
Most faithful mirror
Fearless on my breath …

Slightly in more details about instruments, used in Massive Attack’s – Teardrop composition creation : ESI Piano – is a piano synthesizer, which allows to change different parameters of sound generation, for example, Sustain and Resonance, as well as to apply built in reverberation for simulation of room, in which instrument plays. DSK Overture – is a sampler instrument, generating sounds of large amount of instruments : wind and strings, among them there are, for example : harp, cello, contrabass, flute, french and english horns, trombone and others. DSK World Strings is also a sampler synthesizer, which presents instruments of different peoples of the world : Celtic harp, dobro, dulcimer, koto, kanun, tar and others. About DSK DrumZ – MachineZ there is also ability to say, that this instrument allows to combine sounds of drums, generated by different synthesizers in one part, and set their position in stereo picture and sound volume level.

… Teardrop on the fire
Fearless on my breath

You stumble in the dark
You stumble in the dark

Massive Attack – is a British group, founded in Bristol in 1988 year by Robert “3D” Del Naja, Grant “Daddy G” Marshall and former participant “Mushroom” Vowles ( “Mush” ). They create electronic music in Trip hop style, for which slow paced rhythm and mainly sad and melancholy mood of compositions are characteristic. Their debut album Blue Lines was released in 1991 year and contains one of the most well known tracks of group Unfinished Sympathy, their third album Mezzanine, containing composition Teardrop, to which this article is devoted, was released in 1998 year. Both albums are considered one of the best in all history of modern music creation; Massive Attack was nominated on and received lots of musical awards, among which there are : MTV Europe Music Awards, Q Awards, Brit Awards and others. Teardrop is one of the most widely know compositions of collective all around the world, it was used in large amount of films and on television; it has lots of variations and remixes, +1 one of which is presented on this page :-) .

REAPER ( Rapid Environment for Audio Production, Engineering, and Recording ) – is a Digital Audio Workstation, developed by company Cockos Incorporated from 2004 year. In its creation and advancement main aspects are set on professional functionality and small price, instead of large amount of already completed half-automated instruments and effects, as this is done in lots of other DAWs. Among features of REAPER there are : 64-bits sound processing engine; support of all sampling rates and precisions; support of recording and editing of audio and MIDI on any amount of the tracks; support of MIDI controllers; support of VST, VST3, AU, DX and JS plugins; ability to automate all tracks’ parameters; large amount of already made instruments and effects for sounds and music creation; as well as support of built-in scripting language for audio processing and control of DAW. Program is developed with accounting of wishes of musicians; it is used, for example, by BBC, and by other companies and musicians. It can be used for free in a defined time interval, after this, by license, it should be bought, however its functionality is not limited after testing time period. Current version of DAW works in Microsoft Windows XP, Vista, 7, 8, 8.1 and 10 and Mac OS X 10.5 and newer operating systems; Linux is not supported directly, but there is ability to launch REAPER in Wine emulator.

Far over the misty mountains cold
To dungeons deep and caverns old
We must away ere break of day
To seek the pale enchanted gold.
…
The pines were roaring on the height,
The winds were moaning in the night.
The fire was red, it flaming spread;
The trees like torches blazed with light.
…

Lets create today variation of composition “Far Away from Misty Mountains Cold …” from film Hobbit in DAW REAPER. MIDI notes I took from Internet, thank you goes to their original author; there was almost no need to change anything in them, I only made pauses in the beginning and at the end of composition. There were only 2 instruments : playing main melody and basses, I added 1 track with additional basses to enhance composition. Melody is played by instrument DSK Overture with french horm ( to this instrument I added band compressor ) and ESI Piano, their united sound is processed by reverberation. First basses party is played by instrument DSK Strings with violas section and cello and effects phaser and small reverberation; second basses part is played by DSK Brass with french horn and tuba instrument, the same way processed by phaser and small reverberation. Via this link completed composition in FLAC format and archive with project file and sounds can be downloaded : Far Away from Misty Mountains Cold … ( Hobbit ) in DAW REAPER.

To mixed sound I applied compressor, which does not give to spikes to overflow dynamic range, and at the same time did not overcompressed it too much to leave a freedom for the movement; this way compressor touches only singular spikes areas and lets other parts to play freely. Also I increased its Release parameter, so that on the spikes following each other closely volume movement is not noticeable. Main melody instrument has one area, on which sounds with 1 – 1.5 kHz frequency are very loud; I applied band compressor to it, to reduce its volume, so that it does not cut the hearing. And made smooth automation of its Threshold parameter, so that it will not touch other areas of composition and descended to needed volume only on this part. Then, to make compositions parts more highlighted and differentiating from each other, without loose of interest and intensity, I smoothly switched off second basses track in the beginning of composition and enabled it only on the first and second strong parts, disabling it at the conclusion as well. Second part is stronger, than the first one, due to high intensity of composition, and is a culmination of the whole soundtrack, so I did not changed anything in them to increase their differentiation.

Also in the Internet I found MIDI keyboards emulator FreePiano 2, which allows to play music on usual computer keyboard and record MIDI notes; there is also ability to plug in to it different VST instruments, to hear sound close to the result, and there is ability to set layout in a convenient way. It allows to control different MIDI parameters of the track, such as sustain pedal signal, notes velocity, octaves shifting and others; after notes recording, there is ability to import them into DAW and perform more fragile notes tweaking in editor, for example, correct their timings or presses velocities. With it I made small addition in the composition conclusion, repeating basses notes, for more melodic epilogue.

Before compressors application I also balanced volumes of instruments, so that they play in accordance with each other and do not silence each other; with compressors I only withheld volume’s peaks, leading to overflows, when all other parts play in composition. I also have MIDI notes of Song of the Lonely Mountain, it is very much like this one, but longer and more complex and melodic, I’ll make its variation next time, shaping it to my taste. This is all for today, look in the REAPER project for details and write your questions in the comments, see you next time.

Music from The Lord of the Rings inspires, lets continue creation of compositions from this film with soundtrack “The King of a Golden Hall ( Rohan )” in a DAW REAPER. MIDI notes I downloaded from Internet, thank you goes to their original author, this time in tracks and notes themselves there was almost no need to change anything : everything already worked. Only for main instruments I applied band compressor ( it compresses only part of frequencies, instead of a whole range ) and applied automation to it to switch it on only in needed parts, so that it will not touch areas, which play good without it. In composition there are only 4 tracks : wind instruments ( sampled synthesizer DSK Brass with preset French Horn, low-pass filter to remove high frequency noise and ringing and reverberation ), violin ( DSK Strings with preset Violin and reverberation ), low frequency string instruments ( DSK Overture with contrabass and cello + phaser + small reverberation ) and additional string instruments, playing only in key parts of composition for its strengthening ( DSK Strings with viola and harp ). Via this link completed composition in FLAC format and archive with project file and sounds can be downloaded : The King of a Golden Hall ( Rohan, The Lord of the Rings ) in DAW REAPER.

For reverberation and phaser I used VST plugins, coming with ESI sound card, for band compressor built-in effect of REAPER and for low-pass filter scripted effect of this DAW. All in all creation of this composition is much easier, than other ones : tracks and MIDI notes are of high quality, there is ability to attach instruments and effects, make small adjustments and strokes and composition plays. I did not added drums to it, because it plays without them and they are excessive in it.

Then small balancing of instruments’ volumes, so that they play together in composition and do not try to silence each other; in this sound track I did not moved instruments in stereo picture, because there are not much of them and their movement would cause emptiness in other channel. Then small amount of listens, render of the project into FLAC file and composition ready. Next time I’ll continue work in this direction and will create variation of other composition, see you in the broadcast.

Today’s article about music creation in DAW REAPER will be devoted to May it Be composition of Enya, which also was used in The Lord of the Rings film. For its creation I downloaded MIDI notes from Internet, thank you goes to their original author, used large amount of instruments and effects and in final version left only sampler synthesizer DSK Overture and effects ESI Chorus, Reverberation and Phaser and built-in compressor to keep basses dynamic range in control. In the source MIDI file there is large amount of tracks, which with rich for frequencies and movement sounds of DAW produce mess, so I left only 4 of them : main strings instruments, flute ( main instrument ), basses and additional strings instruments, which play only in key parts for their strengthening. To make sounds of main and additional strings instruments do not create dissonance, I separated them by stereo channels, this also added volume to composition : to the left there are one instruments, to the right – others. Completed composition in FLAC format, along with project source file and sounds, can be downloaded via this link : May it Be, Enya, The Lord of the Rings in DAW REAPER.

Source tracks’ MIDI-notes have large amount of overlaps of sounds frequencies, which create audio mess; for example, tracks of string and wind instruments have notes, which move into basses area, wherein basses have notes, which ascend to middle frequencies; so, I removed from tracks all notes, that move outside of ranges. Then applied to sampled synthesized sounds of strings and wind instruments low-pass filters with high cut-off frequency, so that they’ll not move into high frequencies range to main instrument domain – flute. For it I used large amount of different instruments : piano, synthesized flute ( it even sounds more or less good and fits composition ) and other instruments, but exactly sampled synthesized flute sounds fit composition the most. In some of its notes’ sounds there are tambourines, but there is nothing to do about it : instrument is free and high quality in all other respects; clean quality can be obtained with paid sampled synthesized instruments, which use Sound Font samples. There were also large amount of experiments with instruments, effects and their parameters to balance composition and make it sound good ( for example, use of envelope’s Release parameter automation of synthesized in Funxion flute, to make it sound longer at the ends of notes groups, than at the ends of notes inside groups ), I did not described all of them to not increase article size 2 – 3 times and shown only final result.

In process of composition creation there were large amount of listens, adjustments makings and listens again till composition started to sound in a needed way; then instruments’ volumes balancing, to make them sound together instead of silencing each other, for example, I decreased basses volume, because this composition is not with a basses power, but a melodic one. Then a few amount of tweaks and composition started to sound good enough. This is it for today, check details in project’s file and ask questions in comments, if you have ones. Next time I’ll create variation of other composition to continue development in this area, see you next time.

… What can you see
On the horizon?
Why do the white gulls call?
Across the sea
A pale moon rises
The ships have come to carry you home …

Today we will talk about creation of variation of composition Into the West from The Lord of the Rings film in DAW REAPER. In addition to already confortable FM synthesis and effects we will use VST instruments MDA Piano and DSK Strings and compressor to keep in control dynamic range of main instrument. I took MIDI notes from Internet, thank you goes to their original author; in them there are 13 tracks, with simple MIDI instruments everything sounds more or less good, but with rich in frequencies and movement sounds of DAW there is a mess, so I left only 6 of them. Among them there are : 2 plucked strings instruments ( hybrid synthesizer Xenobioz Funxion with preset Pianoid VeloSens and reverberation effect and it again with Muted String preset and reverberation ); 1 atmospheric and basses instrument ( Xenobioz Funxion + modified preset Flute and DSK Strings with preset Simply Viola, to both of them I applied reverberation, this way one composite sound is produced and it them reflects in the hall, and phaser ); 1 piano ( MDA Piano + preset School Piano + reverberation ); 1 basses instrument ( DSK Strings + Simply Viola + reverberation ); and 1 singing instrument ( Xenobioz Funxion + modified preset Royal + reverberation ). Via this link you can download completed composition in FLAC format and archive with project file and sounds : Into the West ( The Lord of the Rings ) in DAW REAPER.

DSK Strings generates sound from recorded instruments samples; reverberation is implemented in it in not a best way : when notes are ended and at rapid start of next ones, reverberation does not completes in time and is interrupted with new notes beginning, this creates hearable noise and clips, so it is better to disable built-in reverberation in DSK Strings and use external effect for this. MDA Piano synthesizes sound via FM synthesis, MDA also has VST instruments ePiano and DX10 Synth, which create interesting sounds as well. For reverberation and phaser effects I used VST plugins, which come with ESI sound card : I like them more, there is ability to use built-in in REAPER effects instead of them or download from Internet VST plugins and experiment with their controls.

I did not used drums in this project, because they do not fit to this composition : it is ready and completed without them and they are excessive in it. Also I did not used tracks automation, because it is not needed. Main singing instrument has on 1 – 2 kHz frequencies sounds, which are far too loud, than other sounds, on some notes and start to cut hearing with their loudness; equalizer without automation does not fit well to them, because volume of these sounds is decreased with it in areas, where they are not on the peak. So, I used compressor to them with settings, allowing it to smoothly decrease volume of the peaks and not touch other places of instrument’s playing; all in all it worked out good.

Then experimenting with balance of instruments volumes, so that they play in symphony and does not try to silence each other, than another small amount of strokes and tweaks and composition sounds, with subwoofer or multi-band speakers or headphones it should be completely good. That is all for today, if you have any questions, then ask them in comments to article. I already know which composition I’ll create next time, see you in the broadcast.

Lets create today Rave variation of La Marseilleise in DAW REAPER, using the same FM synthesis, effects and tracks automation. MIDI notes I downloaded from Internet, thank you goes to their author; then added to basses accords, so that they’ll sound better and richer, for them I used preset Pentagon of hybrid synthesizer Xenobioz Funxion with effect phaser. For melody I created a couple of instruments and added to all of them small reverberation effect : first one, looking like “Non, je ne regrette rien …” ( Xenobioz Funxion preset Phonetic2 ); other one looking like tensioned string, which is plucked by one hand and being hold by the other, so that sound is short and completes fast ( Xenobioz Funxion preset Muted String ); and third one, sounding like lite electro-guitar ( Xenobioz Funxion preset Uranium ). Via this link there is ability to download completed composition in form of FLAC file and archive with project file and sounds : Rave La Marseilleise in DAW REAPER.

Then I balanced instruments volumes, so that they’ll not try to silence each other and ‘ll not fight for the first place in composition, but played together; and added to it hasteless drums rhythm of drums and hi-hats, which plays in harmony with basses; added small amount of syncopation. Then I applied tracks volume automation, so that tracks would start and complete smoothly, without abrupt volume changes. Some amount of final strokes and tweaks and composition is ready. If you have any questions, then ask them in comments to the article, I already know which composition variation I’ll create next time, see you there!

Lets continue studying music creation and DAW REAPER learning and create Rave + Trip-Hop variation of Russian song “Good night, babies“, wherein we will use FM synthesis, reverberation and phaser effects and tracks automation. For melody and basses I used the same way hybrid VST synthesiser Xenobioz Funxion with the same presets and downloaded MIDI notes from internet ( thank you goes to original author ), removing bank selection signal from them. With tracks automation I set smooth volume increase and decrease at the beginning and end of composition, so that it does not start and end abruptly. Via this link you can download completed composition in FLAC format and archive with project file and sounds : Rave + Trip-Hop “Good night, babies” in DAW REAPER : FM synthesis and reverberation and phaser effects.

At the beginning we add MIDI notes to tracks of composition and plug in to them VST synthesiser Xenobioz Funxion with Exotic Flute and Pentagon presets for melody and basses. Then we will add to melody track built-in ReaVerb effect, which adds reverberation and makes it more volumetric, giving to it an atmosphere. It is better to not overuse it, so that melody will remain easy for perception and reverberation will not attract attention to itself. Then we add to basses track scripted effect Guitar/phaser, it is written on built in script language of DAW, so it works not so fast, as compilled VST applications, and it is better to use not much of them, so that composition playback would not lag. Phaser adds to basses “U-a-u-a-u-a-…” sound, this is especially noticeable on long basses notes and makes them not monotonous and constant, without addition of too much movement to basses. It is better to not apply reverberation to them, because basses should stay at the center of stereo picture and not jump here and there, otherwise this will draw too much attention and annoy. Then we add simple and hasteless drums rhythm with kicks and snares, characteristic to Trip-Hop music, let it accompaniment basses this time, and use syncopation, where needed, so that drums rhythm is not monotonous. Next : final strokes, and composition is ready.

This is it for today, next time I’ll create variation of other composition to continue growth in this direction. If you have any questions, then ask them in the comments to article. See you next time!

Lets create today RAVE variation on Russian song “Spruce Tree Song” in DAW REAPER, using FM synthesis and tracks automation. FM synthesis is a way of sounds generation, in which frequency of source wave is modulated ( continuously changed with periods ) with other wave, in FM synthesizers a couple of oscillators is usually built in, part of which generate base waves and others generate modulation waves. We will use for this free hybrid VST synthesizer Xenobioz Funxion, it has lots of different parameters and nice-looking interface; there are lots of other hybrid synthesizers, paid ones, as well as free ones, from them I also like Kruud of the same Xenobioz and Angular Momentum Freehand. All of them can be found in Internet with search engines on KVR Audio site or on authors’ sites. Also, we will use tracks automation : it allows to control parameters of tracks ( volume, stereo panning and other parameters ) and parameters of synthesizers and effects, that are applied to tracks and define curves for their automatic changes. Via this link there is ability to download : completed composition in FLAC format and archive with project file and drums sounds.

For melody and basses I used completed MIDI file, which I found in Internet, do not remember on which site I took it, but thank you goes to the author :-) ; disabled automatic preset choosing for tracks and added FM synthesizer Funxion with slightly modified Exotic Flute preset for melody and Pentagon for basses. Added drums sounds in tact with melody, periodically using syncopation ( in simple words : this is when drums rhythm is different from what human anticipates to hear, for example, human anticipates to hear “thump” – “thump” – “thump”, but receives “thump” – “…” – “thump”, this attracts attention and stimulates human to listen for composition with higher interest; but this should not be overused, because, if everywhere will be syncopation, then there will be no rhythm anticipation and there will be no syncopation at all ). Then added simple tracks automation for melody and basses, with smooth volume increase in the beginning and smooth decrease at the end.

This is all for today, if you have any questions, then ask them in comments to article, I’ll try to answer on them as soon, as I’ll have free time for this. Next time I’ll imagine something more and will create variation of other composition for experience gaining and skills development, stay tuned!

Let us continue studying of DAW REAPER, today we will create small variation on Jingle Bells theme. As components we will use the same drums sounds and VST-synthesizer Genobazz 2, which is created by TEK’IT Audio. You can download archive with REAPER project, all sounds files and completed FLAC file of composition via this link : variation on Jingle Bells theme in DAW REAPER. For main melody I used preset Default of synthesizer and for basses Acid Tweet Arp preset. First lets create main melody with use of MIDI notes, then copy their block needed amount of times on its track; then we will use it for basses, by copying and replicating block on their track.

Next we will add accords to main melody : they are 3 notes, which are played together; additional notes are taken through the white key from main note or already placed note, they can be located in the same octave or in different from main note. They can be chosen by the ears, so that they will sound in unison with main melody; also, there is ability to read additional information about accords and their classifications. Then we add drums sounds to composition with use of snares and hats WAV files, which we place in needed places. After arrangement of composition, it starts to sound and now there is ability to continue work on it, making it more interesting. If you have questions about creation of variation on Jingle Bells theme in DAW REAPER, then ask them in comments, I’ll answer on them as soon as I’ll have free time. This is all for today, see you in the next lessons.

Lets continue our acquaintance with DAW REAPER : today we will learn VST ( Virtual Studio Technology – is a technology for plugins creation, which act as instruments, effects and processors, and for their unified connection to different DAWs and other programs ), work with recorded sounds and rhythm of composition. For this purpose we will create simple example, for rhythm we will use recorded sounds of snares and hats; simple melody we will create with use of VST synthesizer Genobazz 2, which was created by TEK’IT Audio. You should already have installed DAW REAPER, if you have some difficulties, you can write about them in comments, I’ll answer to you as soon as I’ll have free time. VST Genobazz 2 can be downloaded from Internet, it is a free plugin; you can find links to it in Google. It is distributed in form of executable installer; create somewhere VSTs folder, in which you’ll install plugins, they can be used by other DAWs also, so it is better to place it on path, that is accessible by all programs. Then install Genobazz 2 in this folder; then open options page in DAW REAPER Options -> Preferences ( this window can be seen on upper image ); choose VST in left list, add path to you VSTs folder in according field and press Clear cache/Rescan, so that DAW will find and install this plugin. Then download archive with project example and open it in REAPER.

As it can be seen from the image, rhythm is created with use of recorded sounds ( they are located in project archive ). All sound files can be inserted into tracks by dragging and dropping them from Explorer into DAW, it will import and setup them by itself. Basses are synthesized with use of MIDI notes, for them I selected two sounds presets ( preset sound synthesis parameters ) of Genobazz 2 : Defaul and Acid Tweet Arp. VST plugins can be added to track by clicking on FX button; then on Add add button and by selection of VST ( for effects and processors ) or VSTi ( for instruments ). REAPER also supports other plugins formats and its own scripting language for sounds processing. Order of plugins matters, because sound signal is passed from current plugin to next one, this way sounds processing chains can be created, for example : synthesizer receives MIDI notes and generates sound, which later is processed by effects, so that needed sound will be obtained. VST plugins can be added to MIDI tracks and to tracks with recorded sounds. MIDI notes can be edited by double clicking on their panels in track; to the left on their editing windows musical keyboard is located, at the bottom part there is area in which other notes parameters can be edited, for example, velocity of keys pressing ( whether these additional parameters will be accounted by synthesizer : depends solely on itself ).

This project example is very simple and there is ability to experiment with it, creating composition, which you like. For example, there is disabled track, which can be used to create rhythm with kicks and receive House music rythm; all in all, here is ability to unleash your imagination. That is it for today; if you have any questions, you can ask them in the comments, I’ll answer to them as soon as I’ll have free time for this. See you in the next article about DAW REAPER.